what we love doing

Video Design

Video for theatre, opera, museums and large events
(2019) Roberto Vitalini concepteur vidéo de la Fête des Vignerons 2019
(2019) Video Scenography for Abrazos - La Feria de León
(2018) Video Installation - Louis Kahn e Venezia

Volumetric Video Content for the three dimensional "forest of light" (kinetic giant LED sculpture) for the Sochi 2014 Olympic Closing Ceremony and Paralympic Opening Ceremony
(2014) Winter Olympics - Sochi - Image Reference

Video design for the operas "La Traviata" (Mariinsky II Theatre 2015), "Love from Afar" (English National Opera 2009, Vlaamse Opera '10, Canadian Opera Company '12), "Aida" (Mariinsky Theatre 2011, now theatre's repertoire, nominated to 4 Golden Mask) and for Giuseppe Verdi's "Messa da Requiem" (Mariinsky Theatre 2012, now theatre's repertoire)
(2015) Traviata - Mariinsky II - Video Reference
(2012) Requiem - Mariinsky I - Video Reference

Generative Art

Inventing new forms of moving pictures, procedural environments, custom shaders and particle systems, audio/visual performances, sound-reactive films, immersive installations, interactive light & sound installations
(2018) Infinity Room - Video Reference

Generative Seascape for the multimedia Show AVUDO in the old Port of Montréal (May-September 2017)
(2017) Avudo - Montréal - Video Reference

Interactive Lighting for the opera "Carmen" (Teatro San Carlo 2015)
(2015) Carmen - Teatro San Carlo - Video Reference

Press

24 heures
(2019) Innovation technologique impressionnante, le plancher LED – sans doute le plus grand du monde en extérieur – permet d’ajouter une dimension magique au spectacle
(2018) La Fête évoluera sur un plateau de lumière


Roberto Vitalini

Video designer for the Fête des Vignerons 2019, Roberto Vitalini was born in 1971 in Lugano. He is head of BASHIBA SA, a company dealing in imaginary universes, video art, interactive art and video scenography. Since 2009, Roberto has created video scenography for productions staged by Daniele Finzi Pasca.

Concepteur vidéo de la Fête des Vignerons 2019, Roberto Vitalini est né en 1971 à Lugano. Il est à la tête de BASHIBA SA, une société qui s’occupe d’univers imaginaires, vidéo art, interactive art, vidéo scénographies. Depuis 2009, Roberto signe la scénographie vidéo des productions mises en scène par Daniele Finzi Pasca.

Der Videodesigner der Fête des Vignerons 2019, Roberto Vitalini, wurde 1971 in Lugano geboren. Er leitet das Unternehmen BASHIBA SA, das sich der Umsetzung von imaginären Universen, Videokunst, interaktiver Kunst und Videodesign verschrieben hat. Seit 2009 ist Roberto mit dem Videodesign für Produktionen von Daniele Finzi Pasca betraut.

CV

  • If I had seen nothing but the stunning Act IV sequence on board the ship headed for Tripoli, where the work of the other designers is joined by eloquent projections from Roberto Vitalini, I would have been able to go home content from the visual splendour.

    Richard Ouzounian

    Theatre Critic thestar.com
  • Saariaho's writing works best describing images like the ocean crossing, one of the most brilliant scenes in this production where light images are projected onto waving expanses of silk.

    Anne Ozorio

    Opera Critic Opera Today
  • From the opening moment where a shock of blue silk floats over the audience's heads to the stage we are in a kind of temporal limbo with psychedelic seascapes ultimately suggesting an eternal divide. What is so wonderful about Finzi Pasca’s work, assisted by Jean Rabasse (set), Kevin Pollard (costumes) and Roberto Vitalini (video), is that it opens up the poetic range of a score that has hitherto seemed overly static.

    Andrew Clarkco

    Opera Critic FT.com